Hollywood with a Heart: “Brightest Star” Producer Gives Unforgettable Gift to High School Students

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I was just giving him a call, being the nosy person that I can be…

“How’s your movie coming along?”

Former student and current producer, Jason Potash, was in New York prepping for the film Brightest Star which opens on January 31st.

“Great!” he answered, ever positive. “How’s the family?” ever quick to shift the spotlight back to someone else.

“Wish I could bring my class,” I joked. “It’d be a great field trip!”

“Why not?”


“No really. We’ve got a few college lecture hall scenes and we need extras.”

"Brightest Star" opens January 31, 2014 in select theaters and iTunes

“Brightest Star” opens January 31, 2014 in select theaters and iTunes

Less than a month later with the help of a wonderful travel agent (and high school classmate), Jeff, combined with the trusting support of a principal and many parents, we flew out of Detroit–sixteen students and four other chaperons.

My students, who stand out in a crowd--even as extras.

My students, who stand out in a crowd–even as extras.

The shoot took a full Sunday and the students had to bring four changes of clothes to represent various times in the movie’s plot. The fans of Veronica Mars and Private Practice were particularly excited to see a familiar face playing the lead. Chris Lowell, would later be seen as Stuart Whitworth, Emma Stone’s love-interest in The Help.

Jason Potash with Maggie Kiley on the set of "Beside Still Waters" in New York, 2011

Jason Potash (left) with Tribeca-winning director Maggie Kiley on the set of “Brightest Star” in New York, 2011

Jason arranged for the students to not only be in the lecture hall but in a library scene. In the long spots of down-time between shoots, he would chat with us about the process and introduce the students to many key crew members who shared their stories and jobs. After the film was completed, Chris Lowell had enjoyed working with Jason so much that he asked him to produce his own script that he would direct, Beside Still Waters. The following July, Jason and Lowell were in a cabin on Walloon Lake in northern Michigan shooting the comedy. BesideStillWaters So what was Jason’s first big break after working successfully on films as a student at Columbia College in Chicago, including Fred Claus, The Express and The Dark Knight? What made him a successful producer? I can answer with a few short testimonials:

  • My wife: “He’s your only friend who thought to bring a pie to our house–and he’s only eighteen.”
  • A technician who came into my classroom to repair some technology who saw the ninth-grade Jason and said, “Mr. Walsh?” — and Jason just nodded.
  • A garbage-truck driver whose route threatened to disrupt the chase-scene in The Dark Knight until Jason deftly moved him in and out of the set without disturbing anything–or anyone.
  • My students, as Jason drove us back in the shuttle to our New York hotel because the film’s driver was busy. One even remarked, “So that’s what a producer does–everything, I guess.”

I first met Jason when he was just a forty year-old freshman at West Bloomfield High School. That was the joke around the school. He carried himself so confidently that he did seem like an older brother to my 36 years. I was hired into the district to create the video production program, but Jason had an equal hand in all of the equipment that was ordered and very good ideas for the flow of the curriculum as well as the floor-design. After he graduated from Columbia, Jason was introduced to Maggie Kiley, who, in 2009, had been accepted into the American Film Institute’s Directing Workshop for Women. Her short film, Some Boys Don’t Leave starred Jesse Eisenberg, an acting colleague of Kiley’s from the 2007 Atlantic Theatre production, “Scarcity.” In 2010, I was thrilled to fly to New York to see a screening of the film, where Kiley had been honored at the Tribeca Film Festival with the Student Visionary Award.

Maggie Kiley, director, with Jason Potash at the Tribeca Film Festival, 2010

Maggie Kiley, director, with Jason Potash at the Tribeca Film Festival, 2010

Jason was in his element. He met me and his parents the afternoon of the film’s screening and we all went to an art gallery so Jason could pick up the poster for the night’s after-glow party. Rather than being stressed, he chatted with the owner and asked how long he had been in business and what the history of the shop was. The following morning, after a great screening, Jason and Maggie were in meetings with developing the short into a feature–one that Kiley would develop into the script she would direct for Brightest Star. In New York, the students saw Jason’s same calm “we’ll-get-it-done” humor in the library shoot for Brightest Star as Jason walked across the set to hold up a piece of foam board in front of a window to help the lighting guys.

Chris Lowell and Jason on the set of "Beside Still Waters"

Chris Lowell and Jason on the set of “Beside Still Waters”

Before the cast drove up I-75 to shoot Beside Still Waters Jason asked me to be the narrator for the table-read with the cast, who had all flown in the night before. While we were waiting for the actors to arrive I chatted with Chris Lowell’s co-writer (and Georgetown friend) Mohit Narang, who, like the shuttle driver on The Dark Knight couldn’t believe someone so young could be so together. I’d seen it a hundred times in high school with him. “I’ve been Potashed,” was a gentle jab whenever I would find a pile of wires where some equipment had been earlier. Jason had needed another deck or computer in the middle of a late-night shoot and had talked a custodian into the studio to quickly replace a bum do-dad to be sure that we had a quality recording of the play or concert. He knew the big picture and got things done when many would not–he produced.

High school teachers rarely get presents. I always envied the boxes of goodies that elementary teachers bring home at the holiday. But at the break of his first year in college, Jason called me and asked me for my address. Along with the pie for Patrice, he also brought me my very first Hanukkah present, a director’s chair with my name on it.

There’s a lot of schmoozing and vision that goes into being a producer. Patience and a good sense of humor don’t hurt either. Jason is that rare combination of right and left brain, creativity with high technical know-how, along with great maturity, tact and, most importantly in a filmmaker, a great heart–the kind of hear that remembers what it was like to be a high school student and to give them an experience they’ll always treasure.

Jason Potash, far left, with West Bloomfield High School students and staff.

Jason Potash, far left, with West Bloomfield High School students and staff.

And he still has time to smile for a group picture while making a feature film.

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About Kevin Walsh

Kevin began MyMediaDiary.com in 2013 as an experiment that was as simple as "What's a blog?" and ended up becoming a forum for fellow writers. He's been a high school teacher for 28 years and worked as an administrator and instructor in colleges for 10 years since then. Contact him at: kevin@mymediadiary.com He is also the producer of the web-series and blog, www.DiggingDetroit, founder and producer for MMD Productions at www.mmdphotovideo.com which offers quick, professional photography, video and multimedia solutions for individuals, organizations and businesses. His high school media production text, "Video Direct," has been used in 40 states--and he occasionally still sells a few. He is the current president of the non-profit DAFT (Digital Arts Film and Television) which sponsors the Michigan Student Film Festival. He lives in Royal Oak, Michigan, is married to Patrice and is tolerated by his two kids Aidan and Abby who have all graciously allowed him to write about them on occasion.

6 Responses to Hollywood with a Heart: “Brightest Star” Producer Gives Unforgettable Gift to High School Students

  1. This is a beautiful tribute to Jason. I also remember him from the announcements LOL WB always produces some wonderful children. And you are not only one of the best teachers I have ever known, but you are also one of the most amazing human beings I have ever met. Best wishes to you and to Jason always! 🙂

    • Kevin Walsh says:

      Thanks so much, Crystal! Jason’s a great guy and deserves the best. West Bloomfield does indeed have a very deep talent pool.

  2. Liz says:

    Great story! I remember Jason, I think he used to do morning announcements or something too, right? He seems like he has accomplished a lot in a short period of time. 🙂

    • Kevin Walsh says:

      It’s funny you mentioned the morning announcements, Liz. We were discussing his announcement morning-show right before I hit the record button for the podcast! Thanks for checking it out!

  3. Dick Rockwell says:

    Nice tribute to your student. You’re becoming the Mr. Miyagi of film teachers. It’s gratifying when our students go on to careers in the media and we get to live a little vicariously through their successes. So thanks to all our students who took the ball and ran with it. I guess that’s how sports coaches feel too when a player makes the big leagues.

    • Kevin Walsh says:

      Vicarious-living is certainly the operative phrase, Dick–definitely like sitting in a comfortable couch and watching your former student sweat and get knocked around in the Super Bowl! Wax-on, Wax-off!